(Ed's note: I'm a huge Nine Inch Nails fan, so my biases will be rather amplified in all Nails related posts. Thank you for understanding.) Nine Inch Nails return with Bad Witch, the third in a trilogy of releases that began with 2016’s Not the Actual Events and continued in 2017 with Add Violence. A terse, dizzying, jarring and frenetic work, Bad Witch is partly inspired by Trump-era politics and social climates (band leader Trent Reznor has been openly vocal about his disgust toward The Don as he was with George W. Bush.) Clocking in at just 30 minutes, the six songs that make up the album (originally an EP but for practical marketing and artistic reasons is an LP) show signs of impending cultural collapse that began with 2007’s heavily electronic Year Zero, which was very much a commentary on Bush’s policies taking the country into a dystopian state if things continued as they did. In keeping with angsty political charge, Bad W...
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