When The Black Queen (Greg Puciato/The Dillinger Escape Plan, Josh Eustis/Telefon Tel Aviv, and Steven Young/Nine Inch Nails tech) emerged onto the scene in 2015 with their first single, the moody, dreamscape-esque "The End Where We Start", they were instantly on everyone's radar. The debut album that followed, Fever Daydream, propelled the Los Angeles-based synth-wave band to higher ground. They instantly sold out tickets to all their shows, released more than a handful of videos, and despite serious setbacks (discussed soon), they survived the first album "supergroup" curse and went on to triumphantly release their sophomore album, Infinite Games , last week to great acclaim. Their success, unsurprisingly, has grown even more. Tickets to their upcoming Australian tour with fellow gloom wavers Drab Majesty have all been snagged up by fervent fans and all recent stateside shows turned up the same results. Blindsided by professional and personal uph
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