Skip to main content

Portrayal of Guilt and Soft Kill Softly Kill You for Portrayal of Guilt


     This past Wednesday, Texas metal ragers Portrayal of Guilt and Portland sad-rockers Soft Kill released an explosive split through Closed Casket Activities, and man, I’m all for it.



     To start things off, Portrayal of Guilt’s song “Sacrificial Rite” is a blistering, vicious, brutal two-minute assault, just like in typical hardcore fashion. It’ll have you punching walls and banging your head on tables, and despite its short length, it has a beautiful dynamic that oddly carries you into the next song, Soft Kill’s ethereal “Tin Foil Drop”.



     Soft Kill, dubbed by vocalist/guitarist Toby Grave as a “sad-rock” band (moody shit for all the goths out there), further expand on the descriptor with a spacey, shoegaze-y, atmospheric six-minute track that will leave you in tears. It carries bit of synth-pop and Disintegration-era Cure elements to it. It’s a melancholic, moving track that contrasts Portrayal of Guilt’s opener, but in essence, both tracks feature the same dynamic and emotional elements and perfectly complement each other.



     This split is quite a surprise in terms of genres, but a very welcome one. Soft Kill and Portrayal of Guilt have toured before, so maybe it isn’t that much a surprise both bands teamed up for this split. I’ve known of Soft Kill for a good minute, and this split introduced me to the grandeur of Portrayal of Guilt. Now, I’m hooked. Maybe splits really are the best way to discover new music!


     Each bands’ websites have they split stocked and it’s available on streaming platforms. Check it out!

Comments

Popular posts from this blog

The Grim Folk: As Grim as It Gets

     San Antonio dark country/psychobilly band The Grim Folks have been taking the San Antonio music scene by storm, albeit in their own way. Not one to mix in with the rest, The Grim Folks deliver a fresh and exciting sound in a city obsessed with metal and Mexican regional music. It’s not to say they don’t fit the bill; simply, they aren’t the typical band you would expect to come across. That, however, is a damn good thing. At home with the punk and goth crowds, The Grim Folks play macabre songs inspired from “roots” Americana full of dark humor and superstitious folklore with an undisguised energy. They aren’t exclusive to particular crowds; they have a loose and inviting vibe anyone can enjoy.      “When it comes to writing lyrics, my influence is inspired by horror movies I watched as a kid or stories of the supernatural, “said Nathan Quintanilla, the band’s vocalist and rhythm guitarist. “That enticing feeling I get when seeing or hearin...

Depeche Mode, Peter Hook and The Light, A Place To Bury Strangers: Reviewed

     Depeche Mode brought their music to the masses and gave us a black celebration (whatever, sue me.) On the road promoting their 14 th studio album, Spirit , the iconic British electronic band presented their mega successful Global Spirit Tour May 27 one last time to American audiences with a sold-out appearance at the AT&T Center, flawlessly banging out their biggest hits and album-oriented material to an enthusiastic crowd of 15,000. The band, comprised of vocalist Dave Gahan, guitarist Martin Gore, keyboardists Andy Fletcher and Peter Gordeno and drummer Christian Eigner impeccably delivered song after song as they cataloged their entire career into an energetic two-hour set, proving why four decades after their debut they remain a vital presence. With deep running roots in San Antonio’s music scene, audiences excitedly sang and danced through the night. If their show and fan response was any strong indicator, they surely have another album and one final w...

Smashing Pumpkins Miss the Mark on New Release

     The Smashing Pumpkins have reunited and dropped a comeback album, except it’s not exactly a full reunion and it’s not quite the comeback we expected to hear. With ¾ of the original Pumpkins back in action (front man Billy Corgan, guitarist James Iha, and drummer Jimmy Chamberlin being the only remnants of the band we all loved in the nineties) 18 years after they delivered their last original work together (2000’s Machina/The Machines of God is a hugely underrated album), their new deliverance, Shiny and Oh So Bright, Vol.1/LP: No Past. No Future . No Sun. is an all too brief affair that has no direction and false promises. Clocking in at just 32 minutes, the eight tracks that make up Shiny and Oh So Bright offer almost nothing to be excited about, and while tracks like “Silvery Sometimes (Ghosts)”, “Solara” and “Marching On” are reminiscent of Pumpkins’ earlier grace and fiery angst and pretty much the album’s only true saviors, it all feels too vacant and life...