Pinata Protest Delivers the Punk

San Antonio Tex-Mex punk band Piñata Protest returned to KIVA Lounge in downtown San Marcos this past Saturday night after a near seven month absence, and the crowd's enthusiasm showed. Known for their high energy performances, the band comprised of vocalist/accordionist Alvaro Del Norte, guitarist Regino Lopez, bassist Richie Brown, and drummer Chris-ruptive, blazed through a blistering hour-long set of exito after exito. working up the crowd of devoted "protestors" and never letting down. On the eve of releasing a new album entitled Necio Nights (out April 6) and embarking on a tour on Flogging Molly's Salty Dog Cruise, which will take them through the Caribbean, it is a pure treat seeing the band in smaller settings as you can be more involved in their special brand of norteno punk. Complimented by the ferocity of openers Destroy Orbison, Percocet, The Grim Folks and Sketchy Trench, the package was a non-stop party with a mix of all the punk one could handle. Sweaty crowds moshed, jumped, and sang along to Piñata Protest, even more so when they played iconic Mexican classics like "Volver, Volver" and "Tragos de Amargo Licor", at one point even inviting people onstage to partake in a tequila shot and mosh around. In short, if you enjoy high octane punk and regardless of whether you speak Spanish or not, Piñata Protest shows are one big, loving family and everyone is welcome to come on down.

photo: @mr_peefer

Comments

The Grim Folk: As Grim as It Gets

San Antonio dark country/psychobilly band The Grim Folks have been taking the San Antonio music scene by storm, albeit in their own way. Not one to mix in with the rest, The Grim Folks deliver a fresh and exciting sound in a city obsessed with metal and Mexican regional music. It’s not to say they don’t fit the bill; simply, they aren’t the typical band you would expect to come across. That, however, is a damn good thing. At home with the punk and goth crowds, The Grim Folks play macabre songs inspired from “roots” Americana full of dark humor and superstitious folklore with an undisguised energy. They aren’t exclusive to particular crowds; they have a loose and inviting vibe anyone can enjoy. “When it comes to writing lyrics, my influence is inspired by horror movies I watched as a kid or stories of the supernatural, “said Nathan Quintanilla, the band’s vocalist and rhythm guitarist. “That enticing feeling I get when seeing or hearin...

Them Are Us Too Make Amends

The Bay Area’s euphoric dream pop duo Them Are Us Too began in 2012 with schoolmates Kennedy Ashlyn and Cash Askew playing well balanced eighties inspired synth-pop shoegaze. In 2015, they released their debut album, Remain , a gloomy tour de force to incredible acclaim. They built up a dedicated cult following, and that success hyped the anticipation for the follow-up to their big debut. Tragically in 2016, a warehouse fire claimed Askew’s life at 22 years old, putting the band’s career in uncertainty. However, through the ashes of tragedy arose a new album, Amends , the band’s second and final as TAUT (as fans call them) and it is a beautifully haunting piece of work filled with ethereal elegance and atmospherics. Amends , as Ashlyn describes, is “a collection of songs that would have been the second Them Are Us Too record, an amendment to our catalog cut short, a final gift to family, friends, and fans.” Amends is a celeb...

Nine Inch Nails' Pretty Hate Machine Turns 30

The humble beginnings of Nine Inch Nails sounds like a wild story: a young dude hanging around a recording studio doing whatever odd jobs he’s paid to do, working on his debut album during down time. He makes the right connections, sells millions of records, and becomes an iconic musician and producer. The rest, as they say, is history. Such is the story of a young Trent Reznor, who worked as a janitor at Right Track Studio in Cleveland. He used his down He used his and the studio’s down time, often the very late hours of the night, to work on his industrial project’s debut album Pretty Hate Machine , an album that would be an emblematic symbol of the EDM scene, and one that set the standard for industrial music to come. Pretty Hate Machine was released through TVT Records on October 20, 1989. It was a hard-hitting, groove-filled, danceably dark effort, and it quickly gained traction. From the animalistic, demonic bassline of aggressive opene...

Where Is My Mind?

Search This Blog